Book of the Week: Beware of Sand! (The Woman in the Dunes by Kōbō Abe)

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Next up in my run through of the great Post-War Japanese literary giants, is Kōbō Abe. (You can check out my review of Shusaku Endo’s Silence here).

I actually discovered Abe not through his books, but through the films of Hiroshi Teshigahara. The Face of Another, which was adapted by the director from Abe’s novel, is an eerie film, with Tatsuya Nakadai doing a stellar job as the businessman who loses his identity (and his moral self in the process). I then moved on to The Woman in the Dunes, but didn’t think the film worked as well as The Face of Another. The repetition of the lead character’s isolation dragged the film down rather than creating suspense.

The book however is another story…

Abe’s short novel is as gritty as the ever-present sand that permeates the tale, in spite of having no typical aspects of a crime or suspense novel.

To be sure, the story does involve a kidnapping, namely one Jumpei Niki, a schoolteacher and entomologist who travels to a small remote village to collect rare insects from amongst the sand dunes. Having missed the final bus out of town, the locals offer to let him stay the night. They lead him to a deep pit within the dunes, wherein is small wooden cottage and the young widow who lives there. Niki climbs down the roper ladder and like a fly in the web, so he is trapped.
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Book of the Week: “Hello this is God, I’m not in right now…”

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Silence by Shusaku EndoSilence by Shusaku Endo

It is a testament to Endo’s devastating, yet spare prose that the most complex argument against Christianity is boiled down to a simple realization: the silence of God.

At the beginning of Silence, a Portuguese priest, Father Sebastian Rodrigues, travels to Japan at the height of Christian persecution in the 17th Century. He knows that Christians are being tortured and put to death by the local officials and samurai. He knows that his predecessor, the highly-respected missionary Ferreria, apostatized, supposedly renouncing his religious beliefs after undergoing the torture of the pit. Yet, Rodrigues is secure in his religious piety. As a colleague of his states prior to landing on Japanese soil, “Someone must go to give them courage and to ensure that the tiny flame of faith does not die out.” Unfortunately, this righteousness makes Rodrigues blind not only to the social realities of Japan but to the flaws in the purpose of his mission.

As the story unfolds, Rodrigues is put through the religious wringer, forced to question how a loving God could allow his poorest, most wretched citizens to suffer, and ultimately, whether or not this soul-saving quest is indeed fool’s errand. Continue reading