Heavy Rotation for the Week of 2.22.10

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High on Fire Snakes for the DivineHigh on Fire Snakes — Snakes for the Divine: Matt Pike and is cohorts never cease to amaze me. Each album gets better and better. Who thought they could top Death is the Communion which had so many strong songs and was also one of the first albums in a long while that brought back the idea of an album – a flow to the track list rather than a loose collection of songs. Somehow they did it. Snakes for the Divine is a better album than its predecessor. There’s a vicious attack to the songs and they’re actually heavier than the tracks on the last record. Yes, heavier. You can’t help but listen in awe of these guys.

Eric Dolphy Out to LunchEric Dolphy — Out to Lunch: I’ll give credit for this discovery to Henry Rollins who played the title track from this album on a Jazz Juggernaut episode of his excellent KCRW program. Luckily, I was able to track down an original vinyl version on eBay. This was Dolphy’s first album for Blue Note and sadly his last official release before he died at too young of an age. The compositions are wonderfully complex but yet still musical (it wasn’t experimentation for the sake of innovation). As Dolphy said in his liner notes, “Monk could be musical just walking down the street.” That’s the inspiration here: complex music (much like Monk’s) pushing the song structures into new territory, but still retaining melody and mood. Consider it a nice continuation from Dolphy’s work with Coltrane. The title track has quickly become a favorite as has “Gazzelloni” and “Hat and Beard.”

Charles Mingus The Great Concert of Charles MingusCharles Mingus — The Great Concert of Charles Mingus: Continuing Eric Dolphy appreciation week, here comes another stellar example of his greatness. Another great vinyl find via eBay and sadly also one of the last recordings by Dolphy. This is considered one of the great jazz concerts (or series of concerts as there are tracks from multiple nights) and the tour that cemented Mingus’ reputation in France. For most of the tracks, the group plays as a quintet since trumpeter Johnny Coles collapsed from a stomach ulcer two nights previous. What’s not to like on this one? The almost thirty-minute version of “Goodbye Pork Pie Hat,” the fantastic tribute to Charlie Parker known as “Parkeriana” (where Mingus and the group stand the compositions on their head), and Dolphy’s great performance on “Orange Was the Color of Her Dress.”

The Obsessed The Church WithinThe Obsessed — The Church Within: This was the album that broke The Obsessed. It was their first on a major label and their last as a band. Regardless, it’s a stellar album and I still think one of the most underrated heavy albums of all time. Some of Wino’s best compositions are on here including “Protect and Serve,” “Streetside,” and the stellar “Neatz Brigade.” As always, the man’s guitar tone was better than the rest of the planet’s and Guy Pinhas and Greg Rogers provide the perfect rhythm section. Hard to find, but worth the effort.

Heavy Rotation for the Week of 12.1.09

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ShrinebuilderNick Cave & the Bad Seeds — Live Seeds: It never ceases to amaze me how a band that, on the surface, has a stripped down sound can sound so massive. If you peel back all the layers, focusing on the individual parts of the songs, they’re very simple. But those layers, executed with superb musicianship by the Bad Seeds, work together like a well crafted soundtrack with great tension and swells of emotion. And of course there is no denying the band’s live energy. While I don’t think the production on this album is stellar, it’s a live album and a great document of how astounding Nick Cave & the Bad Seeds are as a live band. The opening rendition of “The Mercy Seat” is 700 times more sinister than the original album version. The same can be said for “Tupelo,” “Jack the Ripper,” and “John Finn’s Wife.” I sometimes forget how much I like this album, focusing more on Nick Cave’s studio releases. Every once in a while I go back to it and get re-addicted.

Kreator Live KreationKreator — Live Kreation: Speaking of live albums, this one quickly became one of my favorite live albums of all time, especially after seeing Kreator destroy a tough New York City crowd (one of the better live gigs I have seen recently). The new line-up is stellar (especially guitarist Sami Yli-Sirniƶ who makes a nice counterpart for leader Mille Petrozza) as is their over the top delivery. Plus you have a nice mix of classic songs and the strongest of their new material. I’ve found myself constantly replaying the three song flow of “People of the Lie,” “All of the Same Blood,” and “Phobia.”

High on Fire — Blessed Black Wings: Admittedly, I wasn’t too into this album when it first came out. I even gave away my copy, despite the fact that I really dug The Art of Self Defense. Maybe it was Steve Albini’s production, which at the time I didn’t like as much as Billy Anderson’s mix for High on Fire’s first album. For some reason, I came back at it again recently and now view it as a nice stepping stone up to Death is the Communion. The band was on its way and had to make this album in order to craft something as monumental as DITC. While I don’t think its perfect, songs like “Devilution,” “Cometh Down Hessian,” and the title track are pretty damn tough.

Sonic Youth — The Eternal: Much like the album above, I didn’t like Sonic Youth’s new album, The Eternal, when I first heard it over the summer. The songs just didn’t seem to grab me like they normally do with this band. However, after seeing Sonic Youth play a good chunk of the album live, with that classic drive and energy, I finally came around. “Sacred Trickster,” “Anti-Orgasm,” “Antenna,” and “Poison Arrow” have quickly become favorite tracks.