Book of the Week: Unlucky Lucky Days by Daniel Grandbois

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I was on vacation in San Francisco recently and one of the necessary items on my to-do list was a pilgrimage to City Lights Books. While perusing the shelves, I spied a signed copy of Daniel Granbois’ Unlucky Lucky Days. Knowing the man’s name and having heard great things about him from trustworthy people, I decided to plunk down some hard-earned cash.

Grandbois gave me my money’s worth. Even though it is a slim book at 117 pages, Unlucky Lucky Days is packed with 73 short tales. The longest maxes out at three pages, the shortest three sentences. Each one shows a writer so comfortable in his own skin, that he appears flawless at times. Granbois plays around with characters and prose in unique and inventive ways, creating his own genre of absurdist fiction populated with dead (or soon to be dying) humans, living everyday objects, and sentient wild creatures. There are mirrors that long for a different perspective, revenge-seeking middle fingers, and storytelling balls of yarn, all of whom live and breathe as much as any of the human characters in the book. Continue reading

Book of the Week: Stories in the Worst Way by Gary Lutz

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There is a great bit of wisdom uttered by Lee, the doomed narrator of Boris Vian’s I Spit On Your Graves:

“It costs a lot to put out a book, and all the dressing is for a good purpose — it shows clearly too that most people don’t care about getting good books: what they really want is to have read the book recommended by their club, the book of the moment, and they don’t give a rap about the contents.”

It is a very spot-on sentiment and one that sadly pertains to Gary Lutz’s Stories in the Worst Way. When it was originally released in 1996 Lutz’s collection of challenging and off-kilter short stories were dismissed, denounced, or simply ignored. In spite of being a protégée of renowned editor Gordon Lish — who inspired the author to scrape and claw at his prose, boiling it down to thin razor while also developing an approach to the English language that can only be perceived as one author rewriting our entire syntax — Lutz’s work was greeted as warmly as syphilis. When the collection was re-released in 2003 by 3rd Bed, it faired not much better. Perhaps greeted as warmly as gonorrhea.

The simple fact is that Stories in the Worst Way was not that book. It’s intent was obvious: not to reward or connect with the reader, but to challenge. As Lutz himself stated, “if I had been assigned to review it, I probably would’ve panned it myself. It’s not the kind of book that’s asking for any wide welcome.” Continue reading