What can one say about this amazing gem I found at Monster Melodies in Paris. It’s my favorite Entombed track off of my all-time favorite Entombed album. While I understand that purists may disagree, no matter how amazing the first two Entombed albums are (especially Left Hand Path), the death n’ roll style makes Wolverine Blues one of the best heavy metal albums of all time (who gives a crap if it wasn’t pure death metal). The perfect melding of Motörhead, Black Sabbath, and Venom with that incredible chainsaw guitar sound. The “Out of Hand” single also has my two favorite covers by Entombed: a really down-tuned ultra-heavy rendition of Kiss’ “God of Thunder” and a very Swedish death-metal version of Repulsion’s “Black Breath.” I also think this is a stellar cover courtesy of drummer Nicke Andersson, who started jumping away from cliche’d death metal album covers and began creating more iconic designs (something he would continue to do for the Hellacopters and now Death Breath). Here it is in ten minutes of head-crushing heaviness: the birth of death n’ roll.

The Birthday Party — Drunk on the Pope’s Blood: Once I had heard the news that Rowland S. Howard died on December 30th, I started revisiting all the Birthday Party albums in my collection. Drunk on the Pope’s Blood is always my favorite. Perhaps because this EP really captures the The Birthday Party doing what they always did best — attacking the audience. Their performances were always confrontational, testing the audience, and the raw energy of Drunk on the Pope’s Blood captures that perfectly.

Sunn O))) — Monoliths & Dimensions: Christ, how heavy can you get? Slow and sludgy, this is one big slab o’ heaviness. It took me a while to get Sunn O))). The complete ambient heaviness approach, sans drums (with bass keeping the only real time), didn’t appeal to me at first. Maybe it was the onset of a cold winter in New York City. Now I can’t get enough of their experiment. Having absorbed their back catalog, I still think Monoliths & Dimensions is their best disc (although Black One is a close second).

Trust — Marche ou Crève: One of my goals on a recent trip to Paris was to find original vinyl of the French versions of Trust’s two definitive albums — Répression and Marche ou Crève. Thanks to the good folks at Crocodisc in St-Germain, I found both in one shot. I even successfully debated (in my worst French) with two older French monsieurs that Marche ou Crève is the better album. Sure, it doesn’t have “Antisocial” or “Les Sectes” (both later covered by Anthrax in English). But Marche ou Crève has better production (courtesy of Tony Platt), overall much better songs (even if “Les Brutes,” “Répression,” and “La Grande Illusion” are not as well known), and stellar drumming from one Nicko McBrain (just prior to his joining Iron Maiden). I still really dig their blend of NWOBHM and French social-political lyrics.

Black Breath — Razor to Oblivion: Another great discovery via Southern Lord records. I read an interview where one of the band members declared that all the best bands combined Motörhead with Discharge and Black Breath was following that lead. I think that says it all. Very death n’ roll era Entombed with tons of energy.