Vinyl Find: Klark Kent (aka Stewart Copeland) 7″

This is the original Klark Kent 7″ released on green vinyl from Kryptone Records in 1978 with “Don’t Care” on the A-side and “Thrills” and “Office Girls” on the b-side. I got hooked on this just after hearing the stellar I.R.S. Greatest Hits Vol. 2 & 3, which included versions of the latter two songs. “Don’t Care” is an okay song, but in my opinion, “Office Girls” and “Thrills” are two of the better songs Stewart Copeland ever wrote, up there with “On Any Other Day” and “Fall Out.” Also interesting since it is Stewart playing all the music, so that quirkiness of style is ever present. The music has great energy and still has some of the punk influence (it was released the same year as Outlandos d’Amour). Here’s a live version of “Don’t Care” with Stewart backed up by a few guys you may recognize in the monkey masks.

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Yeah, Not Much Happening Here (Armory Show Recap)

You know the art world is in trouble when the two things that attracted the most attention at the Armory Show yesterday were a nude woman who had painted her body and a mechanized talking raven on a tree limb. I actually saw people standing beneath the latter with their mouths agape (I kept hoping the raven would start dropping worms at them), as if they had never seen an automaton before. Walt Disney was smirking somewhere, “You see! Genius!”

The other takeaway from yesterday’s show: irony is really killing art. It’s as if artists are not brave enough to take themselves seriously anymore. Too much nudging, winking, and self-centered displays of cleverness (that weren’t really all that clever to begin with). Don’t get me wrong: a sense of humor is great in art. But, paintings with cartoon characters? Kind of been done to death. And way too many paintings with messages in type. Been done a thousand times over now. As for the sculpture and installations, it was craft fair time. Right, no one has ever thought before that using stuffed creatures in a piece is ironic. Brilliant. Genius. That display of kitsch almost attracted as much attention as the talking raven. Lots of iPhone cameras going off. Bloody e’ll.

The only upside was seeing new work by all the painters I discovered at last year’s Armory Show. Once again, the day was saved by interesting work from Gottfried Helnwein, Annie Lapin, Tom LaDuke, Adrian Ghenie, and Deborah Poynton, whose work is still stunning, despite the fact that she’s doing simple portraiture. The only new discovery was Natasja Kensmil, who happened to have a painting hanging on the outside wall of a gallery booth. I actually wish I could have seen more of her work, especially after looking for her paintings on the interwebs. Click on the images below to check out some of the paintings.


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Outsider Writers Plugs The Love Book

Caleb J. Ross, author of the fantastic collection Charactered Pieces, just posted a nice review of The Love Book by yours truly on Outsider Writers. If I had to pick my favorite line from the review, I’d roll with this:

Perhaps The Love Book is the memoir of every damaged soul who has ever asked, selfishly or not, for such a simple thing as love.

Most impressive is that these characters are able to repeatedly dodge indefinite depression to end up, if not happy, at least with a more thorough understanding of what could bring that happiness.

You can check the rest of the review here. And if you haven’t read the dark, gritty tales in The Love Book yet, what the bloody ‘ell are you waiting for?

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Heavy Rotation for the Week of 2.22.10

High on Fire Snakes for the DivineHigh on Fire Snakes — Snakes for the Divine: Matt Pike and is cohorts never cease to amaze me. Each album gets better and better. Who thought they could top Death is the Communion which had so many strong songs and was also one of the first albums in a long while that brought back the idea of an album – a flow to the track list rather than a loose collection of songs. Somehow they did it. Snakes for the Divine is a better album than its predecessor. There’s a vicious attack to the songs and they’re actually heavier than the tracks on the last record. Yes, heavier. You can’t help but listen in awe of these guys.

Eric Dolphy Out to LunchEric Dolphy — Out to Lunch: I’ll give credit for this discovery to Henry Rollins who played the title track from this album on a Jazz Juggernaut episode of his excellent KCRW program. Luckily, I was able to track down an original vinyl version on eBay. This was Dolphy’s first album for Blue Note and sadly his last official release before he died at too young of an age. The compositions are wonderfully complex but yet still musical (it wasn’t experimentation for the sake of innovation). As Dolphy said in his liner notes, “Monk could be musical just walking down the street.” That’s the inspiration here: complex music (much like Monk’s) pushing the song structures into new territory, but still retaining melody and mood. Consider it a nice continuation from Dolphy’s work with Coltrane. The title track has quickly become a favorite as has “Gazzelloni” and “Hat and Beard.”

Charles Mingus The Great Concert of Charles MingusCharles Mingus — The Great Concert of Charles Mingus: Continuing Eric Dolphy appreciation week, here comes another stellar example of his greatness. Another great vinyl find via eBay and sadly also one of the last recordings by Dolphy. This is considered one of the great jazz concerts (or series of concerts as there are tracks from multiple nights) and the tour that cemented Mingus’ reputation in France. For most of the tracks, the group plays as a quintet since trumpeter Johnny Coles collapsed from a stomach ulcer two nights previous. What’s not to like on this one? The almost thirty-minute version of “Goodbye Pork Pie Hat,” the fantastic tribute to Charlie Parker known as “Parkeriana” (where Mingus and the group stand the compositions on their head), and Dolphy’s great performance on “Orange Was the Color of Her Dress.”

The Obsessed The Church WithinThe Obsessed — The Church Within: This was the album that broke The Obsessed. It was their first on a major label and their last as a band. Regardless, it’s a stellar album and I still think one of the most underrated heavy albums of all time. Some of Wino’s best compositions are on here including “Protect and Serve,” “Streetside,” and the stellar “Neatz Brigade.” As always, the man’s guitar tone was better than the rest of the planet’s and Guy Pinhas and Greg Rogers provide the perfect rhythm section. Hard to find, but worth the effort.

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Book of the Week: Charactered Pieces: stories by Caleb J. Ross

In the opening story of Caleb J. Ross’ new collection, the main character invents the term charactered pieces as a euphemism for diamonds with obvious cracks and flaws. In many ways Lori is a charactered piece herself – mostly due to the foot of her fetus-in-fetu sister that protrudes from her belly. Then of course there is mom, a bit of a flawed gem herself, who had half-her face blown off in a beer-commercial mishap. Yet, she seems convinced that somehow all the defects can be covered up, if only by glops of makeup.

That opening tale served as a nice introduction to the off-kilter, macabre, black-sense of humor that made me instantly like most of the stories in Charactered Pieces. The people who stumble and wander through Ross’ stories, much like Lori’s diamonds, have obvious flaws, glaring even. It’s an ugly humanity but one that’s too real to dismiss. Take the divorced, ex-drug-addict, father who slaves away as the lone gringo in a Chinese kitchen. He’s too angry, too bullheaded, and too self-centered to take responsibility for his mistakes. He views them as unavoidable obstructions that he had no more control over than the snow storm that starts a series of unfortunate events. As he says midway through the tale, “Mother Nature doesn’t want a person to live.” Where Ross keeps this from becoming cliché is his compassion for the characters. There is beauty in the flaws, or at least humanity.

Read the rest of this entry »

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Vinyl Find: Two Sides of the Coyote Men

Brought to you by the same great label that served up The Mummies and Supercharger, Estrus Records. Found this one at Gimme Gimme Records in the East Village. A bombastic collection of over-the-top punk n’ roll, served up Dictators style. And yet, who thought a bunch of guys in Lucha Libre masks, singing punk songs titled “I Swing” and “Action Slacks” would hail from Newcastle? As far as I can tell, this is the only full-length The Coyote Men released. Estrus doesn’t have it available anymore but you can still find it via a few mailorder sites or eBay.

Two Sides of the Coyote Men

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Heavy Rotation for the Week of 2.3.10

Darkthrone PanzerfaustDarkthrone — Panzerfaust: While this one is not considered as much of a black metal classic (by hardcores at least) as A Blaze in the Northern Sky, Transylvanian Hunger, or Under a Funeral Moon, I always go back to this album for it’s over the top homage to Celtic Frost. Fenriz and Nocturno Culto shifted from being necro and underground to being just over the top heavy and aggressive. And you can still hear the huge influence this album, along with the previous three discs, had on Phil Anselmo’s Superjoint Ritual (which stole its name from “The Pagan Winter” on A Blaze in the Northern Sky).

Monty Python's Previous RecordMonty Python’s Flying Circus — Monty Python’s Previous Record: I’ve been on a bit of a Monty Python kick after watching the six episode “Almost the Truth” documentary and starting to read through Michael Palin’s diaries from the Python Years. I recently digitized all of my Monty Python vinyl and this one still stands out as my favorite. Mostly because the new material written for the record is so damn funny, including “Embarrassment” and “Australian Table Wines.” Also, this one is a nice improvement over the first album, released by the BBC (and the only record the Python’s don’t own the rights to), which was recorded live in front of a very lethargic audience.

Miles Davis Miles SmilesMiles Davis — Miles Smiles: For some reason, I never quite ‘got’ the second Miles Davis quintet. Maybe it was because it lead into Miles fusion period which took me a while to get into as well. Or perhaps it was because the second quintet with Herbie Hancock, Tony Williams, and Wayne Shorter stood in the shadow of the first great quintet with John Coltrane, Bill Evans, and Cannonball Adderley. Regardless, at some point, this album finally clicked for me, and every once in a blue moon I go back to it, usually in winter for some reason — maybe it’s the complexity of the compositions. There is a great energy to this lineup, especially in Tony Williams drumming and Herbie Hancock’s fluid-yet-complex playing style which I grow more in awe of over the years. “Circle” still ranks up there with my favorite tracks by Miles.

Dishammer Vintage AddictionDishammer — Vintage Addiction: After hearing Dishammer’s split 7″ with the Warwolves, I scored this gem on vinyl from Hell’s Headbangers (via Parasitic Records mail order). So much heavy d-beat goodness here. Four Spaniards channeling all their love of Motörhead, Discharge, and Entombed into one stellar album. Most of the songs clock in at 2 minutes or less, with only a few stretching to what would be considered epic for Dishammer at 3-4 minutes. There’s no letup. Dishammer just pummels you with pure hypercharged energy one song after another.

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Vinyl Find: Entombed – Out of Hand 12″ single

Entombed Out of Hand singleWhat can one say about this amazing gem I found at Monster Melodies in Paris. It’s my favorite Entombed track off of my all-time favorite Entombed album. While I understand that purists may disagree, no matter how amazing the first two Entombed albums are (especially Left Hand Path), the death n’ roll style makes Wolverine Blues one of the best heavy metal albums of all time (who gives a crap if it wasn’t pure death metal). The perfect melding of Motörhead, Black Sabbath, and Venom with that incredible chainsaw guitar sound. The “Out of Hand” single also has my two favorite covers by Entombed: a really down-tuned ultra-heavy rendition of Kiss’ “God of Thunder” and a very Swedish death-metal version of Repulsion’s “Black Breath.” I also think this is a stellar cover courtesy of drummer Nicke Andersson, who started jumping away from cliche’d death metal album covers and began creating more iconic designs (something he would continue to do for the Hellacopters and now Death Breath). Here it is in ten minutes of head-crushing heaviness: the birth of death n’ roll.

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“The Dead Go Uncounted…”

From an article in today’s New York Times. A tough account of the use of mass graves in Haiti to bury the overwhelming amount of the dead:

A few miles north of the busted-down buildings in Port-au-Prince, up a hillside where cows graze, an empty hole awaits the dead. Rectangular, 20 feet deep and wide, 100 feet long, it is one of the newest mass graves, but there are many more.

The government’s dump trucks have been dropping off bodies here since Friday. No one counts, takes pictures or searches for names. In some places, legs and arms of strangers are knotted together in a frozen dance, but here the ground has been leveled by a backhoe that has erased all but the tiniest scraps of life.

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Slideshow: Doctors Without Borders (MSF) on the ground in Haiti

Doctors Without Borders (MSF) has posted a new slideshow of images from their relief efforts in Haiti. Having worked in the poorest districts of Haiti for the past 19 years, they’re a well known entity within the country. People flocked to their hospitals, many of which as you’ll see by the photos, were badly damaged in the earthquake. However they were able to salvage some supplies and begin immediate emergency treatment in makeshift tents. According this post from MSF, there’s been no letup in people who need medical treatment and MSF’s teams have been going non-stop since last week. They’ve just started a working hospital in Carrefour, but as expected people have been flooding in:

One of MSF’s operational coordinators in Port-au-Prince, Hans van Dillen, says there was an immediate reaction when people found out that we were starting medical activities in Carrefour. People began crowding around the entrance. Patients are being brought in by wheelbarrow and on others’ backs. There are other hospitals in the area but they are already overflowing with injured people and have limited numbers of Haitian staff or supplies.

You can view the slideshow above to see photos of MSF’s efforts in Haiti. Or if you’re reading this via one of the social networks, click here.

With the flood of donations coming into MSF in the past week, they have enough money for their relief efforts in Haiti, but you can still donate to help their projects in other parts of the world here.

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